![]() They way he pulled off that track was about as elegant as you can get on a 707. It is a simple track based on 8 four bar loops and an empty pattern that repeat in a cycle. ![]() I also like the way he used to claps to add syncopation and played them off the lo tom, the tambourine and closed hat. I like the way he uses the the open hat to denote bar lines without resorting to loud claps on two and four. He also can mute the delay channel so he can surge the delay and then slam the channel shut and emphasize the start of the next bar. He is also adjusting the delay itself through out the track so that the delay jumbles and stretches out depending on where he is in the song. ![]() It isn't just one delay part, it switches up all the time and he is grabbing a different drum sound every four bars. What he is doing is delaying individual channels on the fly while the 707 plays through the song in track mode, all that shit is being done in real time by hand. He has an analogue delay set up on one of the aux sends and the send is running back to the board. What is happening on that track is that every sound on the 707 is being run out to the board on an individual channel. There is a lot more going on in Washing Machine besides delay.
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